Krishna Flute Song

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(present-day, )Parents(mother)(father)(foster mother)(foster father)Siblings(brother)(sister)Consorts;, andDynasty-Krishna (, Sanskrit pronunciation:;: कृष्ण,: Kṛṣṇa) is a major in. He is worshipped as the eighth of the and also as the in his own right. He is the god of compassion, tenderness, love and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on according to the, which falls in late August or early September of the. Krishna is usually depicted with a flute in his hand.The anecdotes and narratives of Krishna's life are generally titled as Krishna Leela. He is a central character in the, the and the, and is mentioned in many, and texts. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero, and as the universal supreme being.

His iconography reflects these legends, and shows him in different stages of his life, such as an infant eating, a young boy playing a, a young boy with his lover or surrounded by women devotees, or a friendly charioteer giving counsel to.The synonyms of Krishna have been traced to 1st millennium literature. In some sub-traditions, Krishna is worshipped as Svayam Bhagavan, and this is sometimes referred to as. These sub-traditions arose in the context of the medieval era. Krishna-related literature has inspired numerous performance arts such as,.

He is a pan-Hindu god, but is particularly revered in some locations such as in, and in; the aspect in, in; in the form of in, in,; Krishna in and in in. Since the 1960s, the worship of Krishna has also spread to the and to, largely due to the work of the (ISKCON). In the Indian state of, erected about 120 BCE. The inscription states that Heliodorus is a Bhagvatena, and a couplet in the inscription closely paraphrases a Sanskrit verse from the Mahabharata.The, a stone pillar with a Brahmi script inscription was discovered by colonial era archaeologists in Besnagar (, central Indian state of ). Based on the internal evidence of the inscription, it has been dated to between 125 and 100 BCE, and now known after Heliodorus – an Indo-Greek who served as an ambassador of the Greek king to a regional Indian king Kasiputra Bhagabhadra. The Heliodorus pillar inscription is a private religious dedication of Heliodorus to ', an early deity and another name for Krishna in the Indian tradition. It states that the column was constructed by 'the Bhagavata Heliodorus' and that it is a ' Garuda pillar' (both are Vishnu-Krishna-related terms).

Additionally, the inscription includes a Krishna-related verse from chapter 11.7 of the Mahabharata stating that the path to immortality and heaven is to correctly live a life of three virtues: self- ( damah), generosity ( cagah or tyaga), and vigilance ( apramadah). The Heliodorus pillar site was fully excavated by archaeologists in the 1960s. The effort revealed the brick foundations of a much larger ancient elliptical temple complex with a sanctum, and seven additional pillars. The Heliodorus pillar inscriptions and the temple are among the earliest known evidence of Krishna-Vasudeva devotion and in ancient India. Krishna with cows, herdsmen, andKrishna is represented in the in many ways, but with some common features. His iconography typically depicts him with black, dark, or blue skin, like. However, ancient and medieval reliefs and stone-based arts depict him in the natural color of the material out of which he is formed, both in India and in.

In some texts, his skin is poetically described as the color of (, a purple-colored fruit).Krishna is often depicted wearing a peacock-feather or crown, and playing the (Indian flute). In this form, he is usually shown standing with one leg bent in front of the other in the posture. He is sometimes accompanied by or a calf, which symbolise the divine herdsman Govinda. Alternatively, he is shown as a romantic young boy with the (milkmaids), often making music or playing pranks. Krishna lifting Govardhana at, recovered from a Muslim graveyard in Varanasi. It is dated to the era (4th/6th-century CE).In other icons, he is a part of battlefield scenes of the epic. He is shown as a charioteer, notably when he is addressing the Pandava prince character, symbolically reflecting the events that led to the – a scripture of Hinduism.

In these popular depictions, Krishna appears in the front as the charioteer, either as a counsel listening to Arjuna, or as the driver of the chariot while Arjuna aims his arrows in the.Alternate icons of Krishna show him as a baby (, the child Krishna), a toddler crawling on his hands and knees, a dancing child, or an innocent-looking child playfully stealing or consuming butter ( Makkan Chor), holding in his hand ( Laddu Gopal) or as a cosmic infant sucking his toe while floating on a banyan leaf during the (the cosmic dissolution) observed by sage. Regional variations in the iconography of Krishna are seen in his different forms, such as in Odisha, in Maharashtra, in Rajasthan and in Kerala.Guidelines for the preparation of Krishna icons in design and architecture are described in medieval-era Sanskrit texts on Hindu temple arts such as Vaikhanasa, Vishnu dharmottara, Brihat samhita,. Similarly, early medieval-era also contain guidelines for sculpting Krishna and Rukmini. Several statues made according to these guidelines are in the collections of the. Life and Legends This summary is a mythological account, based on literary details from the, the, the, and the.

The scenes from the narrative are set in ancient, mostly in the present states of,. The legends about Krishna's life are called Krishna charitas (: Kṛṣṇacaritas). Nanda and Yashoda pushing baby Krishna on a swingIn the Krishna Charitas, Krishna is born to and her husband, of the clan in.

Devaki's brother is a tyrant named. At Devaki's wedding, according to Puranic legends, Kamsa is told by fortune tellers that a child of Devaki would kill him. Kamsa arranges to kill all of Devaki's children. When Krishna is born, Vasudeva secretly carries the infant Krishna away across the Yamuna and exchanges him.

When Kamsa tries to kill the newborn, the exchanged baby appears as the Hindu goddess, warning him that his death has arrived in his kingdom, and then disappears, according to the legends in the Puranas. Krishna grows up with and his wife near modern-day. Two of Krishna's siblings also survive, namely and, according to these legends.

The day of birth of Krishna is celebrated as.Childhood and youth. Krishna playing the flute (15th century artwork).The legends of Krishna's childhood and youth describe him as a cow herder, a mischievous boy whose pranks earns him the nickname Makhan Chor (butter thief) and a protector who steals the hearts of the people in both Gokul and Vrindavana. The texts state, for example, that Krishna lifts the to protect the inhabitants of Vrindavana from.Other legends describe him as an enchanter and playful lover of the (milkmaids) of Vrindavana, especially. These metaphor-filled love stories are known as the and were romanticised in the poetry of, author of the. They are also central to the development of the Krishna traditions worshiping.Krishna's childhood illustrates the Hindu concept of lila, playing for fun and enjoyment and not for sport or gain.

His interaction with the gopis at the rasa dance or is an example. Krishna plays his flute and the gopis come immediately, from whatever they were doing, to the banks of the and join him in singing and dancing. Even those who could not physically be there join him through meditation. He is the spiritual essence and the love-eternal in existence, the gopis metaphorically represent the matter and the impermanent body.: 256This lila is a constant theme in the legends of Krishna's childhood and youth. Even when he is battling with a serpent to protect others, he is described in Hindu texts as if he were playing a game.: 255 This quality of playfulness in Krishna is celebrated during festivals as Rasa-lila and, where Hindus in some regions such as playfully mimic his legends, such as by making human gymnastic pyramids to break open handis (clay pots) hung high in the air to 'steal' butter or buttermilk, spilling it all over the group.: 253–261 Adulthood. Krishna with his consorts and and his mount, India, late 12th–13th centuryKrishna legends then describe his return to Mathura. He overthrows and kills the tyrant king, his uncle Kamsa/Kansa after quelling several assassination attempts by Kamsa.

He reinstates Kamsa's father, as the king of the Yadavas and becomes a leading prince at the court. In one version of the Krishna story, as narrated by Shanta Rao, Krishna after Kamsa's death leads the Yadavas to the newly built city of. Thereafter Pandavas rise. Krishna befriends and the other princes of the kingdom. Krishna plays a key role in the Mahabharata.The Bhagavata Purana describes of Krishna that appear in sequence as (, (also called Satya), and (also called Madra). According to Dennis Hudson, this is a metaphor where each of the eight wives signifies a different aspect of him.

According to George Williams, Vaishnava texts mention all Gopis as wives of Krishna, but this is spiritual symbolism of devotional relationship and Krishna's complete loving devotion to each and everyone devoted to him.In Krishna-related Hindu traditions, he is most commonly seen with. All of his wives and his lover Radha are considered in the Hindu tradition to be the of the goddess, the consort of Vishnu. Are considered as Lakshmi's or Radha's manifestations. Kurukshetra War and Bhagavad Gita.

In the foreground, An iconographic symbol of Krishna with during the – the context for the Bhagavad Gita. The background depicts Krishna's (cosmic form) described in the Bhagavad Gita.According to the epic poem Mahabharata, Krishna becomes Arjuna's charioteer for the, but on the condition that he personally will not raise any weapon. Upon arrival at the battlefield and seeing that the enemies are his family, his grandfather and his cousins and loved ones, Arjuna is moved and says his heart will not allow him to fight and kill others. He would rather renounce the kingdom and put down his (Arjuna's bow). Krishna then advises him about the nature of life, ethics and morality when one is faced with a war between good and evil, the impermanence of matter, the permanence of the soul and the good, duties and responsibilities, the nature of true peace and bliss and the different types of yoga to reach this state of bliss and inner liberation. This conversation between Krishna and Arjuna is presented as a discourse called the.

Death and ascension. Main article:It is stated in the Indian texts that the legendary Kurukshetra War leads to the death of all the hundred sons of Gandhari.

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After Duryodhana's death, Krishna visits Gandhari to offer his condolences when Gandhari and Dhritarashtra visited Kurukshtra, as stated in Stree Parva. Feeling that Krishna deliberately did not put an end to the war, in a fit of rage and sorrow Gandhari said, 'Thou were indifferent to the Kurus and the Pandavas whilst they slew each other, therefore, O Govinda, thou shalt be the slayer of thy own kinsmen!' According to the Mahabharata, a fight breaks out at a festival among the Yadavas, who end up killing each other. Mistaking the sleeping Krishna for a deer, a hunter named Jara shoots an arrow that fatally injures him. Krishna forgives Jara and dies. The pilgrimage ( ) site of in marks the location where Krishna is believed to have died.

It is also known as Dehotsarga, states, a term that literally means the place where Krishna 'gave up his body'. The Bhagavata Purana in Book 11, chapter 31 states that after his death, Krishna returned to his transcendent abode directly because of his yogic concentration.

Waiting gods such as and were unable to trace the path Krishna took to leave his human incarnation and return to his abode. Versions and interpretations. Krishna iconography appears in many versions across India.

For example (left to right): Srinath, Jagannath, Vithoba.There are numerous versions of Krishna's life story, of which three are most studied: the Harivamsa, the Bhagavata Purana, and the Vishnu Purana. They share the basic storyline but vary significantly in their specifics, details, and styles. The most original composition, the Harivamsa is told in a realistic style that describes Krishna's life as a poor herder but weaves in poetic and fantasy. It ends on a triumphal note, not with the death of Krishna. Differing in some details, the fifth book of the Vishnu Purana moves away from Harivamsa realism and embeds Krishna in mystical terms and eulogies.

The Vishnu Purana manuscripts exist in many versions.The tenth and eleventh books of the Bhagavata Purana are widely considered to be a poetic masterpiece, full of imagination and metaphors, with no relation to the realism of pastoral life found in the Harivamsa. Krishna's life is presented as a cosmic play ( lila), where his youth is set as a princely life with his foster father Nanda portrayed as a king. Krishna's life is closer to that of a human being in Harivamsa, but is a symbolic universe in the Bhagavata Purana, where Krishna is within the universe and beyond it, as well as the universe itself, always. The Bhagavata Purana manuscripts also exist in many versions, in numerous Indian languages. is considered as the incarnation of Krishna in and by the community is considered as an incarnation of Krishna.Proposed datings.

14th-century fresco of Krishna in, RajasthanThe date of Krishna's birth is celebrated every year as.According to Guy Beck, 'most scholars of Hinduism and Indian history accept the historicity of Krishna—that he was a real male person, whether human or divine, who lived on Indian soil by at least 1000 BCE and interacted with many other historical persons within the cycles of the epic and puranic histories.' Yet, Beck also notes that there is an 'enormous number of contradictions and discrepancies surrounding the chronology of Krishna's life as depicted in the Sanskrit canon.' Lanvanya Vemsani states that Krishna can be inferred to have lived between 3227 BCE – 3102 BCE from the Puranas. A number of scholars, such as A. Raman places Krishna's birth year as 3228 BCE.

A paper presented in a conference in 2004 by a group of archaeologists, religious scholars and astronomers from Somnath Trust of Gujarat, which was organised at Prabhas Patan, the supposed location of the where Krishna spent his last moments, fixes the death of Sri Krishna on 18 February 3102 BC at the age of 125 years and 7 months.In contrast, according to mythologies in the Jain tradition, Krishna was a cousin of Neminatha. Neminatha is believed in the Jain tradition to have been born 84,000 years before the 9th-century BCE, the twenty-third tirthankara.

Philosophy and theology A wide range of theological and philosophical ideas are presented through Krishna in Hindu texts., a Hindu theologian whose works were influential in, presented him in terms of qualified (Vishishtadvaita)., a Hindu philosopher whose works led to the founding of sect of Vaishnavism, presented Krishna in the framework of (Dvaita)., a saint from, described Krishna theology in terms of Bhakti yoga. Krishna theology is presented in a pure (, called shuddhadvaita) framework by, who was the founder of sect of vaishnavism. Madhusudana Sarasvati, an India philosopher, presented Krishna theology in nondualism- framework , while, who is credited for unifying and establishing the main currents of thought in, mentioned Krishna in his early eighth-century discussions on.The Bhagavata Purana, a popular text on Krishna considered to be like a scripture in, synthesizes an Advaita, Samkhya, and Yoga framework for Krishna but one that proceeds through loving devotion to Krishna.

Bryant describes the synthesis of ideas in Bhagavata Purana as,The philosophy of the Bhagavata is a mixture of Vedanta terminology, Samkhyan metaphysics and devotionalized Yoga praxis. (.) The tenth book promotes Krishna as the highest absolute personal aspect of godhead – the personality behind the term and the ultimate aspect of. — Edwin Bryant, Krishna: A SourcebookWhile Sheridan and Pintchman both affirm Bryant's view, the latter adds that the Vedantic view emphasized in the Bhagavata is with a difference. In conventional nondual Vedanta all reality is an interconnected and one, the Bhagavata posits that the reality is interconnected and plural.Across the various theologies and philosophies, the common theme presents Krishna as the essence and symbol of divine love, with human life and love as a reflection of the divine. The longing and love-filled legends of Krishna and the gopis, his playful pranks as a baby, as well as his later dialogues with other characters, are philosophically treated as metaphors for the human longing for the divine and for meaning, and the play between the universals and the human soul.

Krishna's lila is a theology of love-play. According to John Koller, 'love is presented not simply as a means to salvation, it is the highest life'. Human love is God's love.Other texts that include Krishna such as the have attracted numerous (commentaries) in the Hindu traditions. Though only a part of the Hindu epic Mahabharata, it has functioned as an independent spiritual guide. It allegorically raises through Krishna and Arjuna the ethical and moral dilemmas of human life, then presents a spectrum of answers, weighing in on the ideological questions on human freedoms, choices, and responsibilities towards self and towards others.

This Krishna dialogue has attracted numerous interpretations, from being a metaphor of inner human struggle teaching non-violence, to being a metaphor of outer human struggle teaching a rejection of quietism to persecution. Influence Vaishnavism. Krishna has been a major part of the.The use of the term bhakti, meaning devotion, is not confined to any one deity.

However, Krishna is an important and popular focus of the devotionalism tradition within Hinduism, particularly among the sects. Devotees of Krishna subscribe to the concept of, meaning 'divine play', as the central principle of the universe. It is a form of bhakti yoga, one of three types of yoga discussed by Krishna in the Bhagavad Gita.

Indian subcontinent The bhakti movements devoted to Krishna became prominent in southern India in the 7th to 9th centuries CE. The earliest works included those of the saints of the. A major collection of their works is the. The Alvar 's popular collection of songs, in which she conceives of herself as a gopi, is the most famous of the oldest works in this genre.The movement originated in South India during the 7th CE, spreading northwards from Tamil Nadu through Karnataka and Maharashtra; by the 15th century, it was established in Bengal and northern India. Early Bhakti pioneers include (12th or 13th century CE), but most emerged later, including (15th century CE) and (. They started their own schools, namely, and, with Krishna as the supreme god.In the, particularly in, saint poets of the sect such as, and promoted the worship of, a local form of Krishna, from the beginning of the 13th century until the late 18th century.

In southern India, and of composed songs devoted to the Krishna image of. Of Gaudiya Vaishnavism has compiled a comprehensive summary of bhakti called Bhakti-rasamrita-sindhu.In South India, the acharyas of the Sri Sampradaya have written reverentially about Krishna in most of their works, including the by Andal and Gopala Vimshati by.Tamil Nadu, Karnataka, Andhra Pradesh, and Kerala states have many major Krishna temples, and Janmashtami is one of the widely celebrated festivals in South India. Outside Asia. Krishna (left) with Radha at, EnglandBy 1965 the Krishna-bhakti movement had spread outside India after (as instructed by his, ) traveled from his homeland in West Bengal to. A year later in 1966, after gaining many followers, he was able to form the (ISKCON), popularly known as the Hare Krishna movement. The purpose of this movement was to write about Krishna in English and to share the philosophy with people in the Western world by spreading the teachings of the saint. In the biographies of Chaitanya Mahaprabhu, the mantra he received when he was given or initiation in was the six-word verse of the, namely 'Hare Krishna Hare Krishna, Krishna Krishna Hare Hare; Hare Rama Hare Rama, Rama Rama Hare Hare'.

In Gaudiya tradition, it is the maha-mantra, or great mantra, about Krishna. Its chanting was known as hari-nama sankirtana.The maha-mantra gained the attention of and of fame, and Harrison produced a 1969 recording of the mantra by devotees from the London. Titled ', the song reached the top twenty on the UK music charts and was also successful in. The mantra of the Upanishad thus helped bring Bhaktivedanta and ISKCON ideas about Krishna into the West. ISCKON has built many Krishna temples in the West, as well as other locations such as.

Southeast Asia. Krishna lifts 'Govardhan' mountain, a 7th-century artwork from a, archaeological siteKrishna is found in southeast Asian history and art, but to a far less extent than,. In temples ( candi) of the archaeological sites in hilly volcanic, Indonesia, temple reliefs do not portray his pastoral life or his role as the erotic lover, nor do the historic Javanese Hindu texts. Rather, either his childhood or the life as a king and Arjuna's companion have been more favored. The most elaborate temple arts of Krishna are found in a series of Krsnayana reliefs in the Prambanan Hindu temple complex near. These are dated to the 9th century CE. Krishna remained a part of the Javanese cultural and theological fabric through the 14th century, as evidenced by the 14th-century reliefs along with those of the Hindu god Rama in east Java, before Islam replaced Buddhism and Hinduism on the island.The medieval era arts of Vietnam and feature Krishna.

The earliest surviving sculptures and reliefs are from the 6th and 7th century, and these include Vaishnavism iconography. According to John Guy, the curator and director of southeast Asian arts at the Metropolitan Museum of Art, the Krishna Govardhana art from 6th/7th-century Vietnam at, and 7th-century Cambodia at cave in, are some of the most sophisticated of this era.Krishna iconography has also been found in, along with those of. For example, a large number of sculptures and icons have been found in the Si Thep and Klangnai sites in the region of northern Thailand. These are dated to about the 7th and 8th century, from both the Funan and Zhenla periods archaeological sites. Performance arts.

The Krishna legends in the Bhagavata Purana have inspired many performance arts repertoire, such as, (left). The where Krishna plays with the gopis in style (right).Indian dance and music theatre traces its origins and techniques to the ancient and texts.

The stories enacted and the numerous choreographic themes are inspired by the mythologies and legends in Hindu texts, including Krishna-related literature such as and.The Krishna stories have played a key role in the history of Indian theatre, music, and dance, particularly through the tradition of. These are dramatic enactments of Krishna's childhood, adolescence, and adulthood.

One common scene involves Krishna playing flute in rasa leela, only to be heard by certain gopis (cowheard maidens), which is theologically supposed to represent divine call only heard by certain enlightened beings. Some of the text's legends have inspired secondary theatre literature such as the eroticism in.Krishna-related literature such as the Bhagavata Purana accords a metaphysical significance to the performances and treats them as religious ritual, infusing daily life with spiritual meaning, thus representing a good, honest, happy life. Similarly, Krishna-inspired performances aim to cleanse the hearts of faithful actors and listeners.

Singing, dancing, and performance of any part of Krishna Lila is an act of remembering the dharma in the text, as a form of para bhakti (supreme devotion). To remember Krishna at any time and in any art, asserts the text, is to worship the good and the divine.Classical dance styles such as, and in particular are known for their Krishna-related performances. (Krishnattam) traces its origins to Krishna legends, and is linked to another major classical Indian dance form called.

Bryant summarizes the influence of Krishna stories in the Bhagavata Purana as, 'it has inspired more derivative literature, poetry, drama, dance, theatre and art than any other text in the history of Sanskrit literature, with the possible exception of the. Krishna outside of Hinduism. Depiction of Krishna playing the flute in a temple constructed in 752 CE on the order of Emperor Shomu, Great Buddha Hall in,The story of Krishna occurs in the tales in. The Vidhurapandita Jataka mentions Madhura (Sanskrit: Mathura), the Ghata Jataka mentions Kamsa, Devagabbha (Sk: Devaki), Upasagara or Vasudeva, Govaddhana (Sk: Govardhana), Baladeva (Balarama), and Kanha or Kesava (Sk: Krishna, Keshava).Like the Jaina versions of the Krishna legends, the Buddhist versions such as one in Ghata Jataka follow the general outline of the story, but are different from the Hindu versions as well.

For example, the Buddhist legend describes Devagabbha (Devaki) to have been isolated in a palace built upon a pole, after she is born, so no future husband could reach her. Krishna's father similarly is described as a powerful king, but who meets up with Devagabbha anyway, and to whom Kamsa gives away his sister Devagabbha in marriage. The siblings of Krishna are not killed by Kamsa, though he tries. In the Buddhist version of the legend, all of Krishna's siblings grow to maturity.Krishna and his siblings' capital becomes Dvaravati.

The Arjuna and Krishna interaction is missing in the Jataka version. A new legend is included, wherein Krishna laments in uncontrollable sorrow when his son dies, and a Ghatapandita feigns madness to teach Krishna a lesson. The Jataka tale also includes an internecine destruction among his siblings after they all get drunk. Krishna also dies in the Buddhist legend by the hand of a hunter named Jara, but while he is traveling to a frontier city. Mistaking Krishna for a pig, Jara throws a spear that fatally pierces his feet, causing Krishna great pain and then his death.At the end of this Ghata-Jataka discourse, the Buddhist text declares that, one of the revered disciples of the Buddha in the Buddhist tradition, was incarnated as Krishna in his previous life to learn lessons on grief from the Buddha in his prior rebirth:Then he Master declared the Truths, and identified the Birth: 'At that time, Ananda was Rohineyya, Sariputta was Vasudeva Krishna, the followers of the Buddha were the other persons, and I myself was Ghatapandita.' . The regional texts vary in the identity of Krishna's wife (consort), some presenting it as Rukmini, some as Radha, some as Svaminiji, some adding all gopis, and some identifying all to be different aspects or manifestation of Lakshmi.

Scholars such as and Hazra state that the Puranas are not a reliable source for Indian history, because the content therein about kings, various peoples, sages, and kingdoms is highly inconsistent across the manuscripts. They state that these stories are probably based in part on real events, in part on, and in part embellished by expansive imagination. Dimmitt and van Buitenen state that it is difficult to ascertain when, where, why and by whom the Puranas were written, and they grew by 'numerous accretions in successive historical eras' where people added or changed the text at random.

Their reliability has also suffered from the way surviving manuscripts were copied over the centuries. The liberties in the transmission of Puranas were normal and those who copied older manuscripts replaced words or added new content.References Citations.

Most Universal Application for Lord Krishna.Best collection of Lord Sri Krishna flute dhun.Lord Krishna (कृष्ण) is a major Hindu deity worshiped in a variety of different perspectives. Krishna is recognised as the Svayam Bhagavan in his own right or as the complete/absolute incarnation of Lord Vishnu. Krishna is one of the most widely revered and popular of all Hindu deities. Krishna's birthday is celebrated every year by Hindus on the eighth day (Ashtami) of the Krishna Paksha (dark fortnight) of the month of Shraavana in the Hindu calendar.Krishna divine flute music represents the act of creation.