Alexb Nebula Programs For Parents

AlexB Vintage PoolTeQ For Nebula 3 Setup + Key.rar 23.67MB Archive file Create Time: 2015-10-10 Files: 1 Total size: 23.67MB Seeders: 0 Leechers: 0 AlexB.Black.Master.eQ.for.Nebula.3. The Vaporesso Nebula 100W TC Starter Kit emulates the modern progression of fully featured set, presenting a modernized device with a powerful OMNI chipset catering to 18650 or 26650 battery cell alongside a Veco Plus Sub-Ohm Tank with the EUC Coil core.

Dynamic Convolution Plug‑in Mac/PC.By Martin WalkerCDSoundMaster's Otari MTR10 running Ampex 499 tape at 15ips exemplifies the extra warmth and added high‑end sheen you can gain from a well-calibrated tape machine.Dynamic convolution can be used to 'sample' any piece of audio gear. Have Acustica succeeded in giving this advanced technology a friendly face?When I last looked at Acustica Audio's Nebula 3 Pro, in SOS February 2008 , I found myself impressed by its potential. This 'hardware capture' plug‑in was said to accurately reproduce the dynamics, saturation and signature sounds of real‑world hardware ranging from EQs, preamps, mics, tape machines and reverbs, through to dynamic effects such as compression and tremolo, and even 'time‑variant' treatments such as chorus, flanging and phasing.Many of the sounds in its 6GB bundled library were of very high quality (particularly the preamps and reverbs), but I was less impressed by the confusing interface, the tape/compression effects, the high CPU overheads, and the very confusing web site. CDSoundMaster offer an extensive Nebula library, but I decided to highlight their $99 R2R (Reel Too Real) suite, described as 'The Essential Analog Tape Collection'.

It offers a huge 170 'virtual tape machines' captured from eight different hardware models of various qualities and vintages (see screenshot at start of the article), ranging from a 1950's Wollensak 1515 running at 3.75 inches per second through domestic models like Akai's 4000DS MKII, classic machines such as the Revox B77 Pro and Otari MTR10, right up to a 24‑track Studer A800 MKIII sampled at both 15 and 30 inches per second. The variety of clean tape 'colours' on offer is wonderfully wide, from gentle mastering through the low‑end warmth and top‑end sheen of the Studer at 15ips, all the way to the telephone voice‑like FX results of the early machines.The $39 Tape Booster+ library can be used on its own to offer natural‑sounding tape saturation effects, but its 44 programs were primarily designed to offer greater realism in a second instance of Nebula following R2R. It has none of the frequency‑response quirks of tape machines, instead adding a range of perceived volume increases up to 8dB using 'drive' derived from extra harmonic content (from subtle up to nearly 10 percent according to my measurements). This proved great for adding thickness and richness to drums in particular, but the combination of the two was even better, to me sounding as good as various DSP alternatives. Shader model 3.0 download free.

AlexB also offers a huge range of programs, some of which (his latest 4KD and MWD compressors, for instance) push the boundaries of what's currently capable with Nebula. For me, the sumptuous Preamp Color Suite quickly became a favourite, offering emulations of 39 different highly regarded solid‑state and tube preamps. Of course, the names have been disguised, but most enthusiasts will quickly recognise what's being modelled from names such as 'A‑Meck', 'Portsilk' and 'VocBocs'. Some are offered without their input transformers or with them for a little more saturation and low‑end roll‑off, while others offer several captures with different front‑panel filter/EQ settings.AlexB's Preamp Color Suite samples a host of desirable preamps, including this classic Telefunken V72 tube model.Nebula is exceedingly good at capturing the sound of preamps, and this is a beautifully recorded collection offering a surprising amount of tonal variation between the various devices, from the hardness of 'AN81' to the warm bottom end of 'MTP std'.

As expected, the tube models offer more character, and with the Telefunken V72 you even get both solid‑state and tube versions. While you can tweak the sound with Nebula's Drive control, some preamps are also supplied in clean and driven versions for more real‑world accuracy. I was surprised by the amount of extra 'snap' between the 'Focus8 Cln' and 'Drv' versions. I've ended up using PCS a lot just recently, and at just €20 it's a steal! Cupwise specialise in extensively sampled collections of unusual gear, and I was particularly taken by their Tube FM1 library.

Captured from six 1950s table‑top valve radios and stereo tuners by both DI'ing the input signal and transmitting it directly to the radio aerials, the frequency responses are widely varied (as you might expect from such vintage items), so you get a rich variety of tonal variation. Distortion levels are also much higher than modern hi‑fi equipment, typically offering at least several percent of second and third harmonics for softer highs, and plenty of added warmth at the bottom end. The Nebula Drive control is also very effective over a wide range if you desire more subtle or more extreme distortion levels that can be pushed well over 100 percent.With radical frequency responses and high harmonic levels from a collection of 1950s radios, the Cupwise Tube FM1 collection is great for special‑effect treatments.The radios are presented in different versions, some with carefully extended frequency responses for less radical tone‑bending, and all are available in various options with kernel numbers from two (for lower CPU overheads) to 10 (for greater upper‑harmonic realism). You'll have to look elsewhere for subtlety, but at just $16, Tube FM1 offers a huge range of radically different vintage timbres, highly suitable for adding loads of vintage character to both digital and analogue sounds, and is superb value for money. Analog In The Box have some lovely items in their range, but possibly the most impressive is their €15 Mammoth EQ, a clone of a very popular and expensive passive equaliser.

Mammoth offers parametric peaking EQs and shelving EQs, plus low‑ and high‑pass filters. Most Nebula EQs offer a single band per program to minimise loading times and processing overheads, but these can be awkward to use when you have to launch two or three instances to tweak multiple bands. For this reason, there's a very handy selection of 'combo' programs in the €10 Mammoth EQ Expander, each offering three different 'reduced feature' EQ bands without bandwidth adjustment, which is a great time‑saving compromise.Nebula EQs tend to offer each band as a separate preset, but Analog In The Box also offer handy three‑band 'combo' EQs with their Mammoth Expansion.Various tests have shown that once you ignore the attractiveness or ease of use of a EQ's GUI and concentrate solely on matching its frequency response with other EQs, many sound almost identical. The ones that genuinely offer extra character are those that add dynamic harmonic contributions, which Nebula, once again, does with panache.

The differences may be subtle, but I was well impressed with the sound of Mammoth, which gave silky-smooth highs with lots of 'air' and a warm bottom end without mud. This unusual RCA‑Airon EQ from Rhythm In Mind is a one‑knob wonder, letting you add 'air' and remove 'mud' simultaneously!Rhythm In Mind offer a veritable Aladdin's Cave of fascinating audio curiosities, with a huge range of single programs at pocket‑money prices ranging from just $3. Their speciality is unusual front ends such as those provided by various classic hardware samplers (to add a little grit to your audio), rare filters and other effects that no‑one else covers. I enjoyed the three vintage UTC transformer stages, each, at $6, offering a subtly tweaked frequency response and a few percent of mostly third‑harmonic saturation down at the low end that proved ideal for adding flavour to drums and bass lines. However, the one that particularly appealed to me was the $10 vintage stereo RCA-Airon Line EQ for its unusual 10kHz program/tilt that reduces levels below this frequency and increases them above, allowing you to simultaneously add air and remove low‑end mud, with the added bonus of an API transformer to add a little extra character.

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Parents need to know that Nebula is a paid video streaming app designed to complement, rather than compete with,. The app has no filters or parental controls (no restricted viewing mode or ability to block videos and/or channels), and though the app's developer vets all video content, the app's creator-centric focus means kids could be exposed to suggestive or violent imagery, profanity, substance use, or other inappropriate content. The app contains no Like options, comments section, or ads. Users can sign up for a free seven-day trial, but thereafter are charged a $5/month subscription fee.

Users can't register within the app and are directed to the app's website; creators wanting help with content have to contact the app's developers directly for tools and help, since the information isn't readily available. Read the developer's for details on how your (or your kids') information is collected, used, and shared and any choices you may have in the matter, and note that privacy policies and terms of service frequently change. NEBULA is a paid video streaming app by YouTube stars CGP Grey and Philipp Dettmer (aka Kurzgesagt) designed to let YouTube video creators test-drive new content before posting it on established YouTube channels. Submitted content is screened by the developers with an eye toward promoting entertaining, informative videos outside the mainstream. Prospective contributors must contact the development company, Standard, directly. The app's content comes in a variety of categories, including Music, History, Gaming, and Film and TV.

Users can browse by featured content or category and search by keyword; they can also follow individual creators and save their content to a My Shows list. The app is ad-free but charges users $5/month to use the service. Though this app sets itself up as an appendage, rather than a rival, of YouTube, the comparisons are inevitable - and the results aren't good. Its main selling point is lack of ads, but it lacks a lot of other things, too, including content. Without it, Nebula isn't worth using, let alone paying for.The app's first shortcoming is apparent the minute you open it and find you can't register within the app (you're redirected to the app's website).

Next, you'll notice the serious lack of content. If you're hoping to find your favorite YouTube star here, you'll likely be disappointed.

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At the time of review, it has only 75 content creators, so each category contains only two to four videos, some of which are doing double duty in multiple categories. Also, the category list is seriously limited. No Art category? That's a big one on YouTube.Searches are even more disappointing, mostly finding nothing, or finding things unrelated to your search terms. Granted, the app's currently limited content makes it easy for parents to vet videos for kids, but assuming content grows over time, the app's lack of parental/safety controls could prove problematic. Also problematic - at least for people who are hearing-impaired - is the lack of closed captions.

Videos are limited to only one automatic resolution and two viewing sizes. But on a more positive note, the app's lack of Like options, comments, and number of views could help foster a nontoxic community that's less competitive and more open to creativity. Along with that, its no-algorithm approach could put content creators on a more even playing field with better chance of being seen (and paid). That said, the developers' claims of offering creators 'production resources, design guidance, mentorship, sponsorship, and analytics' remain vague thanks to a total lack of online tools and information. As it stands, due to an overall lack of content, parental controls, and tools, Nebula is far from being useful to either viewers or creators, and is definitely not worth a $5 subscription fee.